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26dragon76
15:31 23 Jul 25
A truly exceptional experience – thank you Albright IP!

I want to personally thank Charlie Heal , Emily Fox, Cara McAtee, and the entire team at Albright IP for their hard work, dedication, and professionalism in helping me submit my first ever patent: the Baffer Ball fire suppression system.

From the very first meeting, Charlie and Emily made everything feel clear, comfortable, and respectful. They listened carefully to my ideas, even though I’m not from a technical or legal background – I’m a painter and decorator by trade. But they believed in my vision and treated it with such care and seriousness that I felt truly supported as an inventor.

Over several months, we worked closely by email and phone. Charlie and the team guided me step by step to build one of the strongest, clearest, and most professional patent drafts I could have hoped for. The claims they wrote are powerful, and the language used shows how deeply they understood my invention. They didn’t just file a document – they helped shape a legacy.

Charlie, even though he is young, is incredibly professional and experienced. I am amazed at how he managed such a complex project with kindness, patience, and precision. Emily and Cara were also fantastic throughout.

This was not just paperwork – this was my dream since childhood. And Albright IP helped me make that dream real.

💬 I look forward to working with them again on future patents. The Baffer Ball is just the beginning – and I am proud that Albright IP was there from Day 1.

Thank you so much again — from the bottom of my heart.
— Morteza
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Jilna Shah
07:13 13 Jul 25
I've been working with Marc Maidment on pursuing a patent for my business, and I honestly couldn’t ask for a better attorney. As someone with no experience with the patent process and how it works, Marc takes the time to explain everything clearly and thoroughly, breaking down complex legal processes in a way that is easy to understand.

He’s not only incredibly knowledgeable, but also warm and approachable. No question has ever felt too small, and he genuinely cares about the success of my business. I’d highly recommend Marc to anyone looking for a dedicated, trustworthy, and skilled patent attorney.
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Jon Baker
15:23 19 Mar 25
Albright IP have been brilliant from my first call all the way through to submitting our Patent Application. I look forward to working with them on future IP projects. Jon Baker - Design 360 Ltd
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Screen Fictions: What TV Gets Wrong about IP

by | Jul 23, 2025

Researched by Hannah Boehm

Netflix hannah articles

Since joining the intellectual property (IP) profession, I see IP crop up in many of my favourite TV series, with some depictions more accurate than others. For those of us not working in IP, media can often be a major source of knowledge.  So, I thought I would share some of my favourite depictions of patents in popular TV and what they got wrong.

 

Suits: Patent Pitfalls in “The Donna”

In Suits Season 6, Episode 16, the legal drama ventures into patents, as Donna and her co-inventor try to patent her virtual duplicate “The Donna.” The invention is similar to a pre-existing patent, putting the virtual Donna’s future in jeopardy. Donna receives advice that she needs to reduce the similarity between her invention and the existing patent to below 30%, or she’ll have to make a deal with the competing patent holder for an exemption that would allow her to apply for a patent.

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This episode presents a flawed portrayal of a patent’s novelty requirement. Let’s see what went wrong.

The 30% Similarity Myth:

The advice Donna receives regarding a 30% threshold for patent applications is entirely fictional. There is no such rule in patent law. In reality, patentability isn’t determined by a “similarity percentage” but by a strict novelty requirement. An invention must be both new and inventive over existing prior art. The issue isn’t about getting a percentage lower than a set threshold but whether the invention introduces something sufficiently original compared to what’s already out there.

An Exemption from a Patent Holder Doesn’t Bypass the Novelty Requirement:

Donna is also wrongly advised that she could strike a deal with the competing patent holder to allow her to apply for her patent, even if the similarity is still over 30%. Only the Patent Office assesses patentability. It is them Donna needs to convince that her invention is new and inventive.

While Suits takes creative liberties with patent law, the takeaway for inventors is to do your homework before applying for a patent. You are likely already aware of similar products that are on the market, but conducting a formal patent search may help you identify competing patents. When you are ready to apply for a patent, a patent attorney can help you draft the application to maximise your chances of success.

Orphan Black: Patent Pitfalls in Excluded Subject Matter

In the Season One finale of Orphan Black, the concept of patenting human clones takes centre stage. The show follows a group of illegal human clones with one of the clones discovering a hidden message in her genome: “This organism and derivative genetic material is restricted intellectual property.” The clone concludes that her genetic sequence is patented and owned by Dyad Institute, and that the clones themselves are intellectual property.

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While making for a dramatic cliffhanger, this conclusion is fortunately (for the clones and for us in the real world) false.

While morality isn’t typically considered in IP law, the Patents Act of 1977 does specify that “a patent shall not be granted for an invention the commercial exploitation of which would be contrary to public policy or morality.” Specifically, Schedule 2A of the Act excludes “processes for cloning human beings” from patentability, meaning that the genetic information the show refers to could not be protected by a patent.

Another key principle relevant to all patent holders is overlooked: patents run out. In the UK (and most other countries) a patent only protects your monopoly for 20 years from filing. Since the protagonist of the show, Sarah Manning, is in her 30s by the time the events unfold, any patent on her genetic sequence would have been long since expired.

Unlike in this dystopian reality, not everything is patentable in the real world. Patents are designed to protect technical solutions to technical problems, and there are restrictions on certain types of inventions, including processes like human cloning.

The Dropout: Patent Pitfalls in the Theranos Scandal

The Dropout dramatizes the rise and fall of Elizabeth Holmes and her biotech company, Theranos. Holmes, a Stanford dropout, claimed to have invented a revolutionary

Inventing hannah articlestechnology that could conduct a wide range of medical tests using just a few drops of blood. The company secured numerous patents for the technology, but it was later revealed that Holmes had falsified results for investors, and the invention did not work as promised. This true story serves as a cautionary tale, especially for investors, about the risks of blindly trusting patents.

Although less exciting, most innovations are achieved incrementally, not as dramatic breakthroughs. The show highlights that, while patents may be granted, they do not necessarily prove that an invention works as advertised. In the biotechnology field, patent applications may have enablement requirements, but that doesn’t guarantee the technology’s effectiveness.

Equally important is patent literacy among investors. Due diligence before investing is critical, especially where IP is a company’s key asset. Reading through Theranos’ patent portfolio, and their struggles to get many of their applications granted, would have gone a long way in helping investors avoid poor decisions. While patents can, and do, add credibility to an invention, their presence should never be relied on as the sole indicator that an invention works or is a sound investment.

Although fun to see depictions of IP in media, don’t rely on these representations for your advice. Navigating the complexities of IP law in real life can be complicated. To avoid any dramatized disasters worthy of their own TV show, and to learn more about how Albright IP can help you secure, protect, and commercialise your ideas, contact via email, by telephone: +44 (0) 1242 691 801, or using the form below and they will be happy to advise and guide you.

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